Tag Archives: basel

Shoot # 53

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Lund, June 13, 2016
Click on images for info, link or prices 

Content  

• Photo London • OXO Fix London • Photographers’ Gallery • Tate Britain • Art Basel • SCOPE • Photo Basel
• Abstract Real Show • Global Art Magazine • Montenegro and more from:

Jan Oberg – Oberg PhotoGraphics

Dear Art Photo friend

Welcome to – improved – shoot # 53 

The above photo was shot in London in May when it turned into the international centre of photography. It’s a digital gift and will appear only here – a moment of joy sent to you from Oberg PhotoGraphics.

If you are a gallery or photographer chances are that you are mentioned in one of the articles below.

A special welcome to many new subscribers and friends on social media. Here is the preceding shoot and you’ll see that it changes a bit with this issue: Content first; more photos many of which only here and not on homepage – thus, special for you, my subscribers.

Finally, shoot will become less regular and – another new idea – sometimes I may shoot a single image your way.

shoot also leads you to the online GlobalArt Magazine that I curate. Click, inspiration guaranteed. It’s sharing of art for cultural bridgebuilding and civilisation – the opposite of war and other destruction. And it’s news from Oberg PhotoGraphics Blog. Tell a friend, send a mail. shoot is free of course!

Networking, sharing and creating positive energy is what I believe in.

I am not an art critic, I’m an art recommender. I write only positive notes, or “recommendations”. What’s the use of telling you what I find boring, bad or bull?

London
Photo London: 84 leading photo galleries exhibiting their best. Here my Photo London: Positive Notes with quite a few of my images from the fair and short texts. And here some out-of-focus shots from Somerset House. Every art event can be seen as a piece of art!


“Untitled – London in May” © Jan Oberg 2016.

On Oberg PhotoGraphics Blog some positive notes about FIX Photo at Bargehouse, OXO Wharf and here about The Photographers’ Gallery with Deutsche Börse Prize shortlisted photographers.
On June 10, Trevor Paglen was announced as this year’s winner. All four shortlisted could have won – brilliant as they were. And a recommendation of “Painting With Light” at Tate Britain.

Montenegro
Recently hiked in Montenegro’s wild nature with its majestic mountains and magic lakes. Here a few shots – nature photography as well as Gerhard Richter-inspired ‘blurred’ images that I call contours.


“Montenegrin Contour # 7 © Jan Oberg 2016. Click it.

Exhibition “Abstract Real” still on
Visitors tell me that my studio is more like a home than a cool, commercial gallery. You can watch photos and browse books as well as discuss art and global affairs with me. It’s by appointment only and then I am present to care for each visitor.

Non-figurative photography? Some words about it on Oberg PhotoGraphics Blog.
Have a sneak peek here of some of the works that are on show.

Always welcome – just call first! Perhaps one day you need a gift or want to give your own walls a new life.


Crosshatch Series 4-5 © Jan Oberg 2011. Click it

Next shoot
Positive notes to come on Tate Modern with Performing for the Camera and the fine “pairing” exhibits of, say, Monet+Richter and Rothko+Monet there. And about some shots I haphazardly did of objects at the Victoria and Albert Museum’s collections like this:


Jesus at Victoria & Albert Museum © Jan Oberg 2016

I’ll also return to some very interesting works at Tate Britain and other stuff there – except Tracy Emin’s The Bed!

Next Stop: Basel!
This week off to BaselArt Basel, the world’s largest (and most commercial?) contemporary art fair. See a brand new video here. But equally important all the other significant – less posh and more experimenting – events that takes place in amazing Basel such as SCOPE and Photo Basel (2nd year only). Will write about and upload to Instagram, @obergphotographics. 

Remember
– that it’s the arts more than anything that keep us human…

My best
Jan Oberg

Art Basel 2014 (4) – 14 Rooms

Imagine a large empty factory hall  in the middle of which you have a square room with doors into 14 smaller rooms…

The entrance to 14 rooms

The entrance to 14 rooms

You are of course curious about just what is happening behind these doors and there is a brochure explaining it in details. But still – you have to get in, be there…experience the mysteries that a closed door always evokes (and not the least when there is a guard who let’s you in one-by-one after having been waiting in a queue for some time).

“14 Rooms” has been created by Foundation Beyeler, Art Basel and Theater Basel, three very prominent cultural institutions in Basel and it is curated by Klaus Biesenbach and Hans Ulrich Obrist. It is situated close to the main Art Basel Fair but independent of it and the one-day entrance ticket is CHF 18. 14 Rooms is about performance art.

Here are some examples of what you actually experience:

In Yoko Ono’s room you see nothing. The installation, or whatever you want to call it, is pitch dark and called “Touch Piece” which she created for the first time in 1963 and now here. You walk in a see nothing – also not when your eyes have adapted. In the brochure you are encouraged to touch whoever you bump into there and thereby challenge your sense of intimacy and privacy, as it’s expressed. The touches I experience were very avoiding – a little laughter perhaps, an “Oh, sorry” and no attempt to really touch, rather a confusing about meeting some stranger there in the dark and avoiding a touch.

As I had been in there a couple of minutes and carefully set one foot in front of the other I sensed not another human being but a wall. I followed it around to the entrance point and think that by then I was alone there.

I honestly can’t tell you what I felt or thought. It was merely a little fun, a little tickling and I liked to hear people’s laughter or nervous “Sorry” – remember, we are in Switzerland and everything is uptight even in an experimental setting like this. Perhaps there is something outdated in 2014 about an idea from 1963 and that at that time it was revolutionary and lead to more than avoidance? (No photo possible).

Otobong Nkanga’s “Diaspora” (2014) was more lively: two black women carry a Queen in the Night plant in a pot on their heads and sing, speak to the plant and, sometimes perhaps, to each other and the visitors. Much of the text is about loneliness and feeling to be outside , being picked at. And the floor is painted as a topographical map. (Photo possible – as all other visitors did it against the rules). Continue reading